-
A Tale of Two Cities
- directed by Mikael Burke
- scenic design by Milo Bue and Eleanor Kahn
- costume design by Kotryna Hilkoi
- sound design & composition by Christopher Kriz
- Shattered Globe Theatre
- photos by Michael Brosilow
-
Barber of Seville
- directed by Chuck Hudson
- scenic design by Allen Moyer
- costume design by Mathew J. Lefebvre
- Minnesota Opera
- photos by Cory Weaver
-
Loving Clara Schumann
- directed by Tara Faircloth
- choreography by Marlana Doyle
- costume design by Macy Lyne
- motion graphic design by Ben Doyle and Tara Faircloth
- Mercury Chamber Orchestra
-
A Slow Air
- directed by Robin Witt
- scenic design by Sotirios Livaditis
- costume design by Aly Amidei
- sound design/composition by Chris Kriz
- Steep Theatre Company
-
Ironbound
- directed by Georgette Verdin
- scenic design by Lindsay Mummert
- costume design by Steph Taylor
- sound design/composition by Chris Kriz
- Raven Theatre
- photos by Michael Brosilow
-
Othello
- directed by Mikael Burke
- scenic design by Debra Kim Sivigny
- costume design by Debra Kim Sivigny
- sound design/composition by Bryse Boynton
- Theatreworks (Colorado Springs)
- photos by Isaiah Downing
-
La Boheme
- directed by Michelle Cuizon
- scenic design by Kim A. Tolman
- costume design by Alina Bokovikova
- hair and makeup design by Y. Sharon Peng
- Opera San Jose
- photos by David Allen Studio
-
Short Shakespeare! Romeo & Juliet
- directed by Mikael Burke
- scenic design by Alyssa Mohn
- costume design by Gregory Graham
- sound design/composition by Ethan Korvne
- Chicago Shakespeare Theater
-
Milo Imagines the World
- directed by Mikael Burke
- scenic design by Eleanor Kahn
- costume design by Izumi Inaba
- sound design/music direction by Christie Chiles Twillie
- Chicago Children's Theatre
-
Notes From The Field
- directed by Mikael Burke
- scenic design by Eleanor Kahn
- costume design by Christine Pascual
- projection design by Rasean Davonté Johnson
- sound design by Christie Chiles Twillie
- Timeline Theatre Company
-
The Singularity Play
- directed by Georgette Verdin
- scenic design by Ryan Emens
- costume design by Izumi Inaba
- sound design/composition by Christopher Kriz
- Jackalope Theatre
- photos by Michael Brosilow
-
Dial M for Murder
- directed by Georgette Verdin
- scenic design by Mara Ishihara Zinky
- costume design by Raquel Adorno
- sound design/composition by Christopher Kriz
- Northlight Theatre
-
Tambo & Bones
- directed by Mikael Burke
- scenic design by Sydney Lynne
- costume design by Kotryna Hilkoi
- projection design by Eme Ospina-Lopez
- sound design/composition by Ethan Korvne
- Refracted Theatre Company
-
Clyde's
- directed by Mikael Burke
- scenic design by Collette Pollard
- costume design by Alexis Carrie
- Theatreworks Hartford
-
Baba
- directed by Hamid Dehghani
- scenic design by Yoon Bae
- costume design by Shahrzad Mazaheri
- projection design by Evan Michael Woods
- Amphibian Stage
-
Ariadne auf Naxos
- directed by Chuck Hudson
- scenic design by Jefferson Ridenour
- costume design by Daniel James Cole
- Arizona Opera
-
The Magnolia Ballet
- directed by Mikael Burke
- scenic design by Steven Abbott
- costume design by Jos N. Banks
- About Face Theatre
-
Fireflies
- directed by Mikael Burke
- scenic design by Scott Penner
- costume design by Gregory Graham
- Northlight Theatre
-
Nightshade
- choreography by Erin Kilmurray
- Links Hall
-
Alaiyo
- directed by McKenzie Chinn
- scenic design by Eleanor Kahn
- costume design by Jos N. Banks
- projection design by Alex Gendal
- Definition Theatre
-
A Mile In The Dark
- directed by Georgette Verdin
- scenic design by Lindsay Mummert
- costume design by Gregory Graham
- Interrobang Theatre / Rivendell Theatre
-
Hansel and Gretel
- directed by Doug Fitch
- scenic design by Doug Fitch
- costume design by Doug Fitch
- Dallas Opera
-
Routes
- directed by Mikael Burke
- scenic design by Mara Zinky
- costume design by Gregory Graham
- Remy Bumppo
-
Our Dear Dead Drug Lord
- directed by Sophiyaa Nayar
- scenic design by Sydney Lynne
- costume design by Serena Sandoval
- Steep Theatre
-
Don Pasquale
- directed by Chuck Hudson
- scenic design by Peter Nolle
- costume design by Kathleen Trorr
- projection design by Doug Provost
- Fort Worth Opera
-
Chagall in School
- directed by Georgette Verdin
- scenic design by Abigail Reed
- costume design by Becca Duff
- Grippo Stage Company
-
Henry IV / V
- directed by Max Shulman
- scenic design by David J. Castellano
- costume design by David J. Castellano
- Theatreworks (Colorado Springs)
-
Il Corsaro
- directed by Amy Hutchison
- scenic design by Eleanor Kahn
- Opera Festival of Chicago
-
Sugar In Our Wounds
- directed by Mikael Burke
- scenic design by Joy Ahn
- costume design by Madeleine Byrne
- About Face Theatre
-
EthiopianAmerica
- directed by Sophiyaa Nayar
- scenic design by Eleanor Kahn
- costume design by Paul Kim
- Definition Theatre Company
-
Hansel and Gretel
- directed by Harry Silverstein
- scenic design by Noel Thomas
- costume design by Rachel Lambert
- DePaul Opera Theatre
-
In The Blood
- directed by Chika Ike
- scenic design by Nick Schwartz
- costume design by Rachel Sypniewski
- Red Tape Theatre
-
Hooded
- directed by Mikael Burke
- scenic design by Sotirios Livaditis
- projection design by Sid Branca
- First Floor Theater
-
Bomber's Moon
- directed by Michele Vazquez
- scenic design by Eric Luchen
- costume design by Tyler Wilson
- William Street Rep
-
The Rake's Progress
- directed by Robin Guarino
- scenic design by Donald Eastman
- Merola Opera Program
-
Machinal
- directed by Jacob Harvey
- scenic design by Eleanor Kahn
- costume design by Christina Leinicke
- Greenhouse Theater Center
-
Sex with Strangers
- directed by Scott Westerman
- scenic design by Sotirios Livaditis
- costume design by Paul Kim
- Citadel Theatre
-
Alcina
- directed by Nathan Troup
- scenic design by Julia Noulin-Merat
- costume design by Lara de Bruijn
- Boston Conservatory
-
Show Boat
- production by Francesca Zambello
- directed by E. Loren Meeker
- scenic design by Peter J. Davidson
- costume design by Paul Tazewell
- original lighting by Mark McCullough
- Dallas Opera
-
Merry Widow
- directed by Harry Silverstein
- scenic design by Noelle Thomas
- costume design by Rachel Lambert
- DePaul Opera Theatre
-
Gypsy
- directed by Mark R. Mahallak
- scenic design by Adam Liston
- costume design by Lisa Hale
- William Street Rep
-
The Property
- directed by Eric Einhorn
- scenic design by William Boles
- costume design by Izumi Inaba
- projection design by Hillary Leben
- Lyric Unlimited
-
Any Other Name
- directed by Brad Raimondo
- scenic design by Adam Liston
- costume design by Corey Collins
- William Street Rep
-
Porcelain
- directed by Matthew Ozawa
- scenic design by William Boles
- costume design by Sarah Jo White
- Prologue Theatre
-
Deer and the Lovers
- directed by Jesse Roth
- scenic design by Eleanor Kahn
- costume design by Cassandra Bowers
- First Floor Theater
-
Fallen
- directed by Matthew Ozawa
- scenic design by William Boles
- costume design by Izumi Inaba
- Mozawa
-
A Streetcar Named Desire
- composed by Andre Previn
- directed by Jose Maria Condemi
- scenic design by Steven Kemp
- costume design by Kristi Johnson
- Merola Opera Program
-
Marisol
- by Jose Rivera
- directed by Tara Matkosky
- scenic design by Liz Shurra
- costume design by Demara Tamsel
- Boston University
-
The Postman Always Rings Twice
- composed by Stephen Paulus
- directed by Jim Petosa
- scenic design by John Traub
- costume design by Evan Prizant
- Boston University Opera Institue
-
Il Barbiere di Siviglia
- composed by Gioachino Rossini
- directed by Nuria Castejón
- scenic design by Llorenç Corbella
- costume design by Pepa Ojanguren
- original lighting by Gary Marder
- Lithuanian National Opera
-
La Finta Giardiniera
- composed by Wolfgang Amadeus Mozart
- directed by Nic Muni
- scenic design by Nic Muni
- costume design by Ulises Alcala
- Merola Opera Program
-
Il Matrimonio Segreto
- composed by Giovanni Cimarosa
- directed by Amy Hutchison
- scenic design by Jiyoung Han
- costume design by Daisy Farrant
- Boston University Opera Institue
-
The Miser
- directed by Akiva Fox
- scenic design by Tobias Harding
- costume design by Jessi Cole
- Washington Shakespeare Company
-
In The Summer House
- directed by Ellie Heyman
- scenic design by James Fluhr
- costume design by Daisy Farrant
- Boston University Fringe Festival
-
Visiting Mr. Green
- directed by Howard Millman
- scenic design by Kenneth J. Martin
- costume design by Roberta Malcolm
- The Florida Repertory Theatre
